Jedsada Tangtrakulwong is an artist who is distinguished by the artistic process of site-specific installations. His work sophisticatedly reveals spatial relationships by interlacing diverse things related to various dimensions. His works are loosely woven, allowing space to expand the boundaries of the work with the audience. This book, published coincidentally with the exhibition, not only introduces many aspects of the artist’s community projects but also his writings. Also concluded was a dialogue between a visually impaired masseuse that led to an understanding of the exhibition. At the end of the book is a conversation with Kasamaporn Sangsuratham, an anthropologist and independent curator, who came to highlight his interests, directions, ideas, and Jedsada’s exhibitions on various issues.

“After I started to step out of my home, I see more things, places, and people around me. Onnut 80 now is not just my house and my village.”

Exploring the Onnut 80 community area through 80 photos offers another perspective on the familiar area, which prompts a change in perception. In this context, photography has come into being as a tool that can help freeze and capture a moment, place, emotion, life, and sense of place. Certainly, the series not only conveys another perspective or invites to meet and learn from another aspect of the alley or society, but it also emphasizes the movement of both the explorations of the photographers and the story within the picture that tells about the way of life, living, beliefs, and conversations that result in this process of capturing not only the images but also the feelings and voices surrounding them. In other words, these images were expressed to a greater extent than visually to feel the atmosphere that occurred in a moment.