‘In the past, architects and sculptors would begin their creative process by observing nature and then expressing their observations through writing, sketching, or sculpting. These expressions would then be refined, interpreted, and communicated using other techniques. However, my main emphasis is on reduction. Photography, which centers on specific details, can be likened to lowering and constraining the parameters to a lesser extent. Consequently, it is regarded as the same.’

order, the latest issue of the photographic e-magazine, features a compilation of photographs depicting fragmented aspects of items, plants, and buildings. It is the work of Juti Klipbua. This series of images is arranged and follows Juti’s thought process and interest in the continuity of lines created by reducing the outlines of shapes from densely repeated elements and interspersing with other textures or lines to create conflicting patterns.

The viewing frame reduces and presents only some details. It reminds people to be mindful of the many things in our way of seeing that are not normal and selected with the specific guidelines or system of procedures that are often continuous with a repeated arrangement of something hidden beneath commonality and nature. This was reversed by the acts of slicing, chopping, and decreasing, as well as disrupting the inherent order, including creating the outer frame or lines of the structure of something. In addition to emphasizing the outer frame or the lines of the structure, creating a flat, two-dimensional representation gives the impression of depth within the image. It is also presented as a work of “graphics.”

Point 0, the first issue of jamais vu, featured a series of images of anesthesia machines that were cut down and divided into pieces, presenting only specific details. It is the work of Tanatchai Bandasak, who has captured the conditions of suspending or releasing the said object, which he found near the edge of the Raj Pracha Samasai Institute. The place that overlaps in many aspects of stories and times, historical and present, With this series, the artist emphasizes the conditions of the space through an invitation to contemplate the isolated details of the anesthesia machine’s images, which cannot be completed together in the imagination. Therefore, it facilitates the ability to assemble it into many stories or perceptions. But it may be flawed, or it may be perfect even before trying to arrange and stare at it. The same is true of how history and this area work.

The debut issue of The Hand presents sketches of Korakot Aromdee, conveying the creation that combines craftsmanship and design using natural materials such as See-suk bamboo. Drawing by hand is one of the many stages in Korakot Aromdee’s creative process, but an important one. Through it, he renders the intangible original ideas onto the grid-lined paper. The sculpture-like bamboo creations continue to be developed not only through his aesthetic lens but also with consideration of sustainability, practical aspects such as the climate of the installation site, which directly affects a natural material like bamboo, and the techniques needed for the realization of the final work, which will then be carried out by the skilled craftsmen.